Michael JAMIESON

Michael JAMIESON, JLV ambassador musician, with his instrument equipped with a JLV ligature

JLV AMBASSADOR

« Precision & Freedom »

The JLV ligature combines precision and freedom: it solves the fit issues between the reed and the mouthpiece.

It allows optimal reed vibration while providing perfect control of the sound.

THE BIOGRAPHY OF MICHAEL JAMIESON

New Zealand saxophonist with a prestigious international career, Michael Jamieson stands out for his artistic excellence and pedagogical commitment.
Soloist, chamber musician, and professor, he collaborates with major orchestras and shares his passion through the NZ Saxophone Society and the NZ Classical Saxophone Festival.
A visionary artist, deeply dedicated to promoting classical saxophone.

Michael Jamieson, a New Zealand saxophonist with a prestigious international career, stands out for his artistic excellence and pedagogical commitment.

 

As a soloist, chamber musician, and teacher, he collaborates with major orchestras and shares his passion through the NZ Saxophone Society and the NZ Classical Saxophone Festival / Summer School.

 

Born in Taranaki, New Zealand, Michael began the saxophone at the age of 14 and quickly developed a deep passion for the instrument.

 

He started his studies in 2000 at the Victoria University of Wellington (New Zealand School of Music), where he won the very first Annual Duo Competition.

 

After completing his postgraduate studies at Massey University / NZSM with honors, Michael received several prestigious awards:

 
Massey University Cultural Award

 
Creative NZ Scholarship

 
Patricia Pratt Scholarship

 
Doctoral Scholarship from the University of Canterbury

 

These accolades enabled him to attend the Messiaen Academy masterclass with Johan van der Linden, while also studying with Arno Bornkamp and Willem van Merwijk.

 

An exceptional international journey

 

Michael continued his training at the Conservatoire National de Région de Strasbourg with Philippe Geiss.

 

He took part in masterclasses and performed alongside the Ellipsos Quartet, Étienne Rolin, and Jean-Marie Londeix.

 

His path then led him to the International Saxophone Week in Amsterdam, the European Summer University for Saxophone in Gap, and several World Saxophone Congresses.

 

In the Netherlands, he was invited to perform with all the national youth wind orchestras:

 
Jonge NBE

 
Nederlands Jeugd Fanfare Orkest

 
Nederlands Jeugd Harmonie Orkest

 

A remarkable orchestral and solo career

 

Since obtaining his Master of Music degree in 2007, Michael Jamieson has been highly sought after as an orchestral musician.

 

He has collaborated with:

 
Rotterdam Philharmonic Orchestra

 
Radio Kamer Filharmonie

 
Netherlands Symphony Orchestra

 
Royal Concertgebouw Orchestra

 
Auckland Philharmonia Orchestra

 
New Zealand Symphony Orchestra

 

He has notably distinguished himself in works by Glazunov, Debussy, and Villa-Lobos, and in 2006 performed as a soloist with the Nederlands Bach Ensemble.

 

A key figure in New Zealand’s saxophone scene

 

Since his return to New Zealand in 2013, Michael has been actively engaged in the development of the classical saxophone community.

 

He founded the NZ Saxophone Society and created the NZ Classical Saxophone Festival / Summer School, where he serves as artistic director.

 

Today, he is:

 
Professor of Saxophone at the University of Auckland

 
President of the New Zealand Saxophone Society

 
Musical Director of the Auckland Youth Symphonic Band

 
Doctoral candidate at the University of Canterbury

HIS SAXOPHONE EQUIPMENT

The JLV ligature is not only beautifully designed, but it also solves a problem that has long frustrated me: the fit between the reed and the mouthpiece.

The ligature can be personalized for sound and style, yet each variation performs the crucial task of reducing leaks along the side rails.

This is achieved while maintaining the reed’s freedom to vibrate, and in fact, gives the reed even greater vibrational freedom, allowing the embouchure to control the

tone—without stifling the reed to compensate for warpage.

FOLLOW HIS LATEST UPDATES

THE NEW JLV AMBASSADORS