Guestbook
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New purchase... A JLV gold ligature for my clarinet... I pick up my clarinet that has been in its box for too long... the ligature is simply remarkable. And I take this opportunity to give news of my platinum ligature for my Selmer tenor sax Reference 54... WHAT HAPPINESS!!!!!... I can play for 2 hours straight without getting tired and with a WOWHHH *** expression!!! THANK YOU JEAN LUC... *** I am not a professional, but a ?hard-working? amateur!! Posted by Sigmund 12-01-2018 |
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What a great Christmas present I discovered with this ligature an ease of play and a good sound I talk about it without moderation around me I would also like to point out the kindness and reserved welcome THANK YOU Posted by martine 10-01-2018 |
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My daughter made me try her JLV ligature. I was immediately won over by the ease of articulation and the possibilities of expressions and nuances. I am a teacher in a small village harmony, and I hope to be able to emulate.
Posted by Fran?ois
08-12-2017 |
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With this ligature, a sound brighter freer, wider and soft, jazz variations coming even more from the inside a clear evolution for 30 years of clarinet.Thank you !!!!Louis.
Posted by Louis
05-11-2017 |
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I tested in store the JLV ligature alto, adopted immediately. On the advice of the seller, I also bought the one for bb clarinet, with offer of recovery if I was not satisfied. My wife took it when arrived. So I was forced to recommend one online !!!! Easier sound emission, better homogeneity of the sound ... My choice was on the gold-plated model.
Posted by christian de Thouars
12-05-2017 |
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Hello, I am sax tenor amateur but passionate. Having had problems with ordinary ligatures (air leaks) I was looking for the solution to this problem, and when I tried the JLV ligature, everything changed to include the treble ones much easier to play. I had the chance to meet Jean-Luc VIGNAUD, he is an exciting and passionate man by his work. I thank him again for his advice.Friendly friends musicians. Posted by jjp 23-04-2017 |
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Friends Saxophonists and Clarinettists, Hello,I leave a new message, after a week of play with the new platinum ligature ... Tenor Saxo.I played with the gold ligature for 10 months ... And here I must say that I am still bluffed ... I gain at least 20% in heat, color, scope of play ... Everything "glides" better and Takes a bigger relief !!! ... MORE EASY AND MORE MUSIC !! ...This is the message that I want to communicate to my "colleagues" ... And THANKS THANK YOU JEAN LUC ... Bien Amicalement. Daniel Sigmund
Posted by Sigmund
16-04-2017 |
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I bought two ligatures J.L.V. For alto saxophone, one for ebonite mouthpiece, the other for a "bayle" metal mouthpiece suitable for measurement by JLV itself. What a quality service "French", remarkable simplicity, kindness, listening, customer follow-up, professionalism. It was so long ago that I had not met such people as I no longer believed in their existence!The material gives a comfort of play between the bass and treble through the mediums with softness and assured a sound round and full. The pinching forces are limited if desired by setting 1/8 turn, so you can play longer without feeling the fatigue of the maxillofacial mask. This ligature is purely awesome, it goes far beyond what is done on the market in terms of improving the comfort of the saxophonist .... and I am only a modest amateur of sixty years.This ligature made playable a metal mouth Otto Link large opening with a new 3 1/2 reed is to say ..... and have a bright jazz sound!I recommended JLV around me in music training, especially to help young instrumentalists get pleasure earlier without having sick to lips or maxilla.Congratulations to the designer for technology, hospitality, commercial follow-up .... and his wife for contact after purchase to ensure the commissioning of the warranty.JLV is a French pride.Michel Paris
Posted by michelparis91@gmail.com
29-03-2017 |
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Hello everyone, I already left a message on July 19, but I have to leave another one. At the time I was using a JLV gold plated ligature for a soprano sax and I thought I had achieved a good level of truth of sound compared to other brands of ligature. What a mistake !!! Because since then I have received the new platinum version, and there the gain in musicality is further increased by 50% (apparently) compared to the 24 carat version, which I thought would be difficult. I'm getting closer and closer to the REAL sound of the mouthpiece. Extra harmonics, silky bass, the entire spectrum is improved. Not to mention the even easier issuance and the gain in volume. And this on all mouthpiece models tested (ebony or ebonite). Obviously it's the most expensive in the range but it's definitely worth it. The question now arises: how far will JLV go? Again all my thanks to the inventor. In the meantime, I'm giving them as much publicity as possible nationally and internationally in the forums and when I interact with saxophonists abroad. Long live French genius! Bruno de Saintes (17) Posted by claret.bruno@laposte.net 12-03-2017 |
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The ligature is terrible! Really, thank you Jean-Luc! I've been playing for over twenty years and I've never found anything better. And for the marching band, it facilitates the emission of sound, for endurance. I give it 20 out of 20! While waiting for new performances, let's stay in touch... Rock Posted by pierresax 04-02-2017 |
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After a first version that I found quite difficult to set up, the improvements made (skids and fixing the base) to the current model change everything. The ligature is very well made, very functional, the finish is really very beautiful, and most importantly: the sound it provides is perfect, it never leaves my mouthpiece! I would also like to commend the quality of the customer service which is excellent, it is not so common these days to have such effective telephone contact and response. Well done !
Posted by Nobody Else
09-11-2016 |
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The JLV Ligatutre has impressed me in every way, sound, flexibility, versatility and great design aesthetics. Really a pleasure to play with this magnificent ligature and be one of the ambassadors for JLV Ligatures.Thanks to Mr. Jean Luc Vignaud.
Posted by Nardy Castellini
18-10-2016 |
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Thanks to Jean Luc, Cyprien, well done the JLV team for the quality of services. I have completely changed my training habits since I owned these JLV Soprano and Alto ligatures, my hours of practice are pure pleasure... Of my entire ligature collection, the JLV is from my point of view the best. See you soon for a tenor ligature ???? Jean No?l ?? Posted by Den 30-09-2016 |
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It is immediately evident that the JLV ligature is superior in design ,appearance and complete reed tonal and timbre production.It has been a lengthy process to undo the restrictions from other ligatures. JLV is my solution. JLV my choice ligature for tenor sax and all saxes. Playing this JLV ligature gives the feeling of sitting outside a nice cafe in Paris enjoying a robust French cabernet while gazing into the beautiful eyes of a French woman. It is that good. ????Ron Moton
Posted by Moton
17-09-2016 |
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An unconditional fan from the start, I have been even more so since I received the adjustable studs. Thank you again for your responsiveness, kindness and speed. Gilles Golfe Juan
Posted by Gibsax
14-09-2016 |
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Received yesterday morning, immediately assembled and tried... How can I put it, it's absolutely stunning.... Sound, projection, flexibility, attack of bass and high notes without forcing!!! Coupled with my Drake, it's fire!!! This is THE world champion ligature. Thanks to Jean-Luc Vignaud for what we can call a work. At first the price put me off a little, but now I'm going to order one for my soprano, that's to say... No regrets and highly recommended. And also thank you to Jean-Luc for his valuable advice, his kindness and his availability. Posted by Lucky11 24-08-2016 |
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Received this morning the ligature for bass clarinet..... So there.... as the popular saying goes "I stayed on the C...." For me who only plays it occasionally and who therefore has difficulty (bass players know the problem well) to obtain a beautiful octave G without laboriously modifying the height of the soft palate; the surprise was total: no more problems. Goodbye the difficulty of transmission, goodbye the slightly veiled sound from the octave G and in all registers a full sound with lots of harmonics and the ++ timbre specific to the bass ... I find it difficult to understand why the major ligature manufacturers have never really taken the time to study the various implications that enable a ligature to produce a purer sound, more harmonically rich and easier to play. get. This is not the place to list all the ligatures that do not match the JLV and yet I have plenty of them (at the high end...when you are passionate...we try even if that cost!!!) Jean Luc did this ligature (which will be very hard to undo) and I say to him once again Hats off!!! Patrice du Gers, clarinets and saxs as a passionate amateur Posted by pat 32 12-08-2016 |
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I have received the 2 new ligatures for alto and soprano sax As extraordinary as those for clarinet: ease of emission, breadth of sound, enriched timbre, ease of installation, everything is there,! It seems that the small adjustable studs on the ring have solved the problems (in particular of installation) present on the first ligatures. At the time, I abandoned ligation because of these inconveniences... Now, I am an unconditional fan: congratulations to Jean-luc for this invention which revolutionizes the practice of instruments with single reeds on a mouthpiece!!! and also for his responsible approach which took into account the remarks induced by his first version of the ligature! I will work to advertise you!!! And I didn't say anything about the communication with JLV sound which is great!!! Patrice du Gers (amateur clarinets and saxs) Posted by Pat 32 03-08-2016 |
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Hello everyone, I am an amateur tenor sax player, but passionate and relentless... Since my retirement as a doctor, two years ago, I started the sax and I play one to two hours a day... I am always looking for which can improve my game... New mouthpieces and new ligatures on my Yanagisawa... I discovered the JLV ligature by chance, and the concept appealed to me from the start... I love making, building, create... And there, in addition to the design, the result... IT'S A BOMB!!! ... Only Happiness... The sounds are more fluid, easier, more brilliant... I always had a little trouble with the SI Bass at the attack, and now, it almost comes by itself!! !! YEAH !!!! YESSSSSSSSS!!!!. THIS LIGATURE IS EXCEPTIONAL and it is worth its price... And for the icing on the cake, I met Jean Luc VIGNAUD, and he is a completely PASSIONATE Musician and Creator... A Man we are Happy with to know... In short, that's all. Good Music to All. Well Saxopnonically Your... Daniel FROT Posted by Sigmund 22-07-2016 |
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Hello everyone, I'm a fan of good sound, very good sound. Multi-instrumentalist I love hanging out in luthier workshops, seeing how sound is made. Obviously I am a HIFI enthusiast. I've been trying the different JLV ligatures on my soprano for a good month (thanks Cyprien!). Before that I had tested all kinds of ligatures in all kinds of materials and I was getting a little desperate because I felt that the sound I wanted wasn't really there. Something was missing, but what? Now I know. In any case, the JLV gold ligature really removed the mist that was restricting my Gottsu bamboo mouthpiece. That's wonderful ! I have trouble putting the sax down because it?s so beautiful.. A wind instrument is like a HIFI system. A sound source (reed), a preamp (mouthpiece), amplification (bottle and body of the sax). Each element has its importance but it is the weakest link which sets the limit of the equipment. In general the quality of the cables which connect the elements. Well the ligature is the sax cable. You shouldn't skimp on the price and get the best. Particularly on mid-range instruments where the gain is HUGE. And I'm not talking about the ease of emitting bass and treble, articulation, nuances. A delight. Especially if you don't play every day like me. I really recommend these French ligatures to everyone, beginners (especially beginners in fact), amateurs and professionals. And I can't wait to try the next models! Also noteworthy is the impeccable after-sales service. To the whole team I wish good luck, especially internationally. Posted by Bruno 19-07-2016 |
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Good morning ! It's my turn to leave a little testimony. I have had this ligature for 1 1/2 months now, on my tenor saxophone (ebonite mouthpiece) I have gained in volume and the emission of bass seems easier to me. In addition, I was able to benefit from Jean-Luc's advice on how to use the ligature as best as possible. Overall a good purchase! Marc Posted by Marc 03-07-2016 |
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I purchased a ligature during your visit to St?phane Tranchant last week. Even if the ligature did not resurrect the buffers of my clarinet (that is perhaps not the objective), I really gained in amplitude of sound. Back home, I tried it on my saxophone which also felt better. My attacks in the bass are much easier. So you have to try! Kind regards, Pascal Bermond P.S: The Bb-Saxe Alto compatibility is an interesting source of savings! Posted by PB 30-06-2016 |
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For two years I have been a big fan of this JLV ligature and now there is a new bronze base, which makes further progress in sound! Bravissimo Jean-Luc! Great! Frank Bunselmeyer, clarinetist at the Stuttgart Opera Posted by Frank 22-06-2016 |
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For several years, like any clarinetist, I have been looking for the best possible ligature. At a certain point and as you have to make a decision, I bought the one that suited me best A month ago, a saxophonist friend told me to try the jlv ligature because it seems to completely respect the vibration of the reed. Without having too many illusions, I went to my dealer with curiosity all the same... and I left with it. It's really a total discovery and it's the first time that my reeds literally sing. They express themselves and give their full potential. There is, I would say, an extra soul, a life that other ligatures erase or restore very poorly. Every time I play with it, I am amazed by the timbre, pure, warm sound etc. The ease of emission is incredible and also in the acute and bass is completely mastered. I find myself playing more than before and always with renewed pleasure. Well done Mr. Vignaud. (Pro clarinetist). Posted by Mins 01-06-2016 |
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This ligature is exceptional. For someone who plays (tenor) irregularly like me (after having played a lot), the difficulty was to find a sound, to bring out the bass and harmonics easily. With this ligature, the result is incredible, a clear and rich sound immediately even after several days without playing, harmonics that come out without problem... So I ordered one for my soprano :-) Pierre Posted by Pierre 28-04-2016 |
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Dear Jean Luc I wanted to thank you for the splendid gold ligature for soprano which you showed me when I played on New Morning with Dave Liebman, as I told you at first impression, it is very subtle and also precise and gives an ideal intonation especially for classical and contemporary music. Your ligatoure gives a very very pure sound and a great staccato across the entire range of the instrument! For the soprano I also tried to use it also with the top positioned on the contrary and also gives less clear expressive colors. It?s a very well made product, compliments! Gianni Gebbia / saxophonist italy Posted by Goebius 26-03-2016 |
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Good morning after ligature for ebonite mouthpiece in 2014 I found myself the owner of a Vandoeuvre metal mouthpiece with leather ligature that I could not use Christmas coming and a contribution from my children here is the jlv ligature for my metal mouthpiece and what a sound ++++ in addition very good listening with two calls from Mr JLV in person (as if Mr Selmer or Mr Adolf Sax had called me). thank you mr vignaud joseph allouche frejus Posted by lemoutonyouss 10-03-2016 |
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A real revolution in the world of ligature: Professional on saxophones and clarinets for years, it has been a long time since I spent my time researching the new tartempion ligature, good ligatures are almost all equal and the fashion effect and marketing from manufacturers leaving me indifferent for a long time. It was by chance that I tried the JLV ligature, when accompanying one of my students to my luthier to help him choose a new clarinet. At first skeptical about the idea of changing my habits, I decided to buy one for clarinet and take it to try it on my clarinet at home; and there, the clarity, the richness of the timbre, the additional harmonics, the emission of the high notes and this impression of new freedom more than convinced me of my purchase. And by re-trying my old ligature I could only measure the difference. If the JLV ligature is a little less practical to use than some others (Optimum for example), it provides so much extra color that I am willing to spend a few more seconds adjusting it. It's been a long time since new hardware surprised me this much. I would also like to emphasize the availability, attentiveness and professionalism of Jean-Luc Vignaud, whom I subsequently spoke to several times on the telephone. Well done ! Posted by Martial 08-03-2016 |
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We were lucky enough to be able to try this marvel yesterday during the waiting times for the Adolph SAX competition. And surprisingly, it allows the instrument to be used in very good condition, the clarity and color (to be chosen by the musician) is impressive. Posted by sax_tenor 07-02-2016 |
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This is a great resource for any clarinetist. The system allows a freedom unthinkable with other ligatures, the sound is pure and clean. The work of the reed is stabilized and each performer can have a personalized emission response. I also find that the clarinet's congenital defects regarding intonation have greatly diminished. The sound, richer in harmonics, blends wonderfully with other classical instruments. The notes in the altissimo register are much easier and the homogeneity of the entire range is at a level never before heard. I have tried professional and non-professional clarinets... on each of them I obtain an excellent result. Bravo Master Jean Luc, my most sincere compliments for this brilliant invention. Paolo Gavelli Posted by Paolo Gavelli 17-11-2015 |
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it's been a week...on soprano and tenor... just enormous...allows you to play on the range of each note... with the flexibility of the reed? Posted by raphael 07-11-2015 |
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Hello all.. What to say ? This ligature is simply great!!! I found the ligature that makes the notes and my tenor sax vibrate, "live"! I acquired my Tenor Mark VI a little less than 10 years ago now, and day by day, year by year, I tried to make it vibrate... make it sing... express emotions even... It may seem strange what I'm saying, but it's becoming one with my sax.. When I tried this ligature (at L'ilot Vents in LILLE.. Thanks in parentheses to this last..), I initially appreciated the Brushed Brass version ligature... The clear notes, with a really different sound and vibration came out with ease and already this impression of making it "vibrate" ( in the sense of singing...) each note.... Then, I tested the gold-plated ligature... And there... It may be very subtle, fine, but for me, I entered into another "dimension"... Difficult to explain... But each note was clear... the attacks became... natural... no need to force... to concentrate on the desired nuances.. In short... I found the ligature I was looking for... the ligature I needed. I speak here as a simple amateur musician... I only play in harmony, but am passionate... A basic accordionist, I now feel like a bit of a saxophonist... Thanks to Jean Luc for his availability, his attentiveness and his professionalism... It's truly a purchase, an investment that no musician will regret... Fred? Posted by fred59310 09-10-2015 |
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Good morning I just received the JLV ligature yesterday and I admit that I am very pleasantly surprised! I am an amateur and a novice in clarinet. With this ligature I obtain a much richer color in terms of sounds throughout the range of the instrument, feeling of richness of sound. easier for the emission of high notes which sometimes caused me some problems. I am delighted with my purchase and I think that over time I will exploit the possibilities of this ligature even more. (I bought the gold plated ligature) thanks to jean-Luc VIGNAUD Posted by rotsztein 06-08-2015 |
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Well done Jean-Luc!!! Really, for two months now I have been practicing the ligature on my tenor guardala mounted on a 1949 silver tenor from Selmer. I enjoy all the reeds that suit me better. And the top-notch after-sales service Mr JLV is very friendly and very competent. Thank you and well done again Posted by Mao 25-06-2015 |
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This ligature really has great sound quality. It's a very good investment with the exceptional services of Mr Vignaud!! This ligature has very good sound quality. I can't even play with my old ligature anymore because this one is so perfect!! Congratulations!!!!! Posted by maxdu68128 07-06-2015 |
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Very satisfied with my 2 previous ones (for ebonite soprano and tenor mouthpiece) I am even more satisfied with the 3rd - (metal tenor mouthpiece) - which I have just received, which is easier and quicker to assemble while avoiding the risks of too much strong tightening. Furthermore, I thank Mr JLV for his much appreciated personal telephone call. I also intend to gradually upgrade my equipment (soprano and alto metal, + clarinet). Posted by bernardo 04-06-2015 |
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Superb ligature! THANKS!
Posted by Frank Bunselmeyer
02-06-2015 |
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I wanted to emphasize the seriousness of Mr. Vignault's follow-up regarding his products. In addition to the quality of sound that allows me to have its ligature which I would never have been able to obtain without, I was pleasantly surprised by its after-sales service. I had damaged my ligature through inappropriate use and instead of using this argument and leaving me in trouble, Mr Vignault changed it for me 2 years after purchase without hesitation! I cannot recommend this precious help enough, especially to all those who, like me, will never reach the top, but who are happy to indulge themselves even modestly! Brigitte. Posted by Brigitte 23-05-2015 |
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I bought the silver plated ligature and I am very surprised by the new sound of my sax!!! Freed, clear, warm and the most surprising thing....I can play much longer before having "the lip of a boxer" and that was not expected! ! 2nd Cool Kiss effect...only happiness Thank you JLV Posted by tof2gou 05-05-2015 |
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Ligatures like crossbows I have been teaching the saxophone and various ensemble practices for over 30 years and I have been looking for years (including tinkering myself) for ligatures for my instruments worthy of a fulfilled instrumental practice. Thanks to Jean-Luc Vignaud I finally found the string to my bow. I spent the Christmas holidays working on my instruments with ever renewed pleasure. Since then, I have had my students try them, most of whom quickly adopted them, including beginners who were thrilled. Jean-Luc Vignaud's saxophone ligatures are a bit like crossbows, in shape and in effectiveness in terms of sound. They meet an essential need in the instrumental practice of the saxophone and clarinets by improving the retabbing of the reeds, better stability and vibration of the latter as well as greater ease of phrasing. The advantages are multiple but can be classified as follows: Ease of resignation and phrasing throughout the register (especially and including the bass). Homogeneity throughout the range. Increased shade palette with more contrast. Reduced fatigue because you no longer force the mouthpiece (while playing tone). More accuracy (because you can play everything tone) with softer nuances in the bass register. Posted by antonio 12-04-2015 |
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Good morning It has been a few months now that I have been using my JLV ligature with great pleasure on bass and contralto clarinet and I realize that by greatly helping in the emission of sound, this ligature really makes music easier for me by allowing me, despite my modest amateur level, to concentrate on the other aspects of the game.Very satisfied with my purchase, so I simply wanted to congratulate you and sincerely thank you for this sensational http://find.bj/ Posted by BJ 11-04-2015 |
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Good morning, I'm a little saxophonist: by age? No ! By size? No ! By talent? Yes ! And yet, I noticed the difference from the first moments. A warmer sound, bass that comes out "on its own", easy pianissimo... in short, only positives! A small regret however, it is a shame that this ligature does not work on the fingers!!! A little more serious: a friend lent me one for a week, verdict: to try it is to adopt it! I ordered one immediately and since then my old ligature remains in the sax case and I still enjoy using the JLV. And what about the contacts with Jean-Luc Vignaud? Warm, professional, they were fruitful. He listened to me and was not shy of advice or little ?tips?. Add one more word? Yes ! Try it! This is not an advertisement, I have no interest in sales or even on other occasions. A few months ago, I didn't know about ligation and today I simply want to say thank you to Jean-Luc Vignaud and encourage you to try the JLV experience! Posted by Jujube 31-03-2015 |
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hello jean luc, your ligatures are simply unique and exceptional in terms of ease and scale, well done, kisses christian Bonichi.
Posted by christian
30-03-2015 |
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Without being professional you can immediately see the difference! This ligature is truly perfect. No more air leaks due to old reeds, wider sound (both in the treble and bass), ... If you have any doubt about the quality of this ligature, test it. Personally I tested it at the Musicora show, it convinced me straight away. Posted by Gabriel (14ans) 22-03-2015 |
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I received the ligature in its beautiful box and already its appearance was elegant as I had seen on the Internet. Given my preparation in mechanics, I noticed immediately that its construction is very well studied. Its better quality we notice when we play. In addition to the speed to insert and remove the reed, it has an exceptional breadth of sound. Its presence manages to fill the entire theater giving the instrument homogeneity from low to high sounds. I really think this ligature is unique in its kind and advise all clarinetists and saxophonists to try it. Soon I will recommend it for soprano sax.
Posted by nedo carli
19-01-2015 |
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Dear Alain 84, The JLV ligature, due to its pressure on the cut part of the reed, relieves the lips and thus allows you to play more easily and for longer?
Posted by Eric Michel
16-01-2015 |
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From the first sound, we can't believe it, what a joy this ligature is perfect. Thank you thank you thank you, well done Mr. Vignaud.
Posted by Marie-Noelle
06-01-2015 |
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4 small pressure points and the sound emission released, well done!!! All you had to do was think about it. Indeed, even not-so-great reeds sound better. When will we have a mouthpiece that doesn't tire the lips? Posted by Alain84 11-12-2014 |
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First of all, a big thank you to Jean Luc for his brilliant invention, his patience, his tenacity as well as his kindness. The first time I heard about this ligature, it was by chance, an amateur musician friend had heard about it. a truly revolutionary ligature! The comments seemed excessive, especially since in this area I thought we had covered everything. I ended up finding the address of this ?geo finds everything?, only a few kilometers from my home. I was received by a very kind person who immediately made me try a prototype (at the time the ligature was not commercialized); it was like a ?bowl of magic potion?!!!!! the sax vibrated superbly, the slightest expressions of breath came out wonderfully, in short it was great. I acquired a ligature when it was released, since then Jean Luc has improved it and as a result I have I modified mine and bought a second gold-plated one and it's really the best. For those who have doubts, some advice is to try this little marvel! Ligation will make your task easier in many areas. And then you have to let go, now know that everything is possible!!! A big thank you to Jean Luc. For information, I played for 15 years with the Kassav group and recently returned to my first love, "jazz". I play an original Guardala MBII mouthpiece and Vandoren ZZ strength 2.5 reeds. Posted by CLAUDE PIRONNEAU 08-12-2014 |
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Quacks, quacks, pffff....that was before! Today, since I have the Jean-Luc ligature I know that with each hiccup...(which have become much rarer), I can no longer say that it is the fault of...the ligature...but to my fingers and my lips...because very sincerely in the space of two minutes, the time to change the ligature the day I had it in my hands.. ...I thought I was a pro....despite my two years of saxophone...well it's certain that since then I've calmed down...)))) thank you JL for this invaluable helping hand. Michel Cymes Posted by john 24-11-2014 |
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